Help Raise 100K For Firefighters With Only The Brave

first_imgTo help support brave firefighters like those depicted in the film Only the Brave, Sony Pictures Home Entertainment (SPHE) is teaming with the social change platform Pixhug to raise up to $100K for the Granite Mountain Fund, an organization that drives donations to support firefighters.Jeff Bridges’ Facebook PostPixhug and their sponsor, TheBayFestival.org, kicked off the nationwide initiative with a $50K donation. In an effort to double the donation, fans are invited to turn their “likes” into money to support firefighters. Fans can like Jeff Bridges’ Facebook post to help!“With the inspiring and heroic effort to battle recent horrific wildfires and mudslides in California, we are thankful for organizations such as the Granite Mountain Fund that offer support for firefighters, first responders, and their families,” says Hans Koch, Executive Producer of TheBayFestival.org. “Only the Brave is an emotionally captivating film that speaks to the dangers of the brave firefighters the Granite Mountain Fund hopes to support with this important social campaign.”Pixhug is a social change platform that connects social media with social responsibility by uniting people with causes and the companies that support them. The app turns “likes” into donations, giving everyone the power to make a difference simply by sharing and liking photos and videos. With every photo posted to the Pixhug™ social platform users can then choose a charitable campaign to donate all their likes to, such as the Granite Mountain Fund. Every like is worth 10 cents, and the money is donated by TheBayFestival.org.“We have reached an exciting point in time where a powerful story, like the one told in Only the Brave, not only depicts a real-life event but, through Pixhug, allows its audience to engage with and support the cause alongside the stars of the movie,” says Mido DeSanti, Founder, CEO of PixHug.To use the Pixhug app to support the Granite Mountain Fund: 1 Download the Pixhug app from the iTunes store or Google Play 2 Select the “ONLY THE BRAVE” campaign 3 Tap “Support this cause” 4 Take a photo and post it on Pixhug and Facebook and the sponsor will donate 10 cents for every like you get!Granite Mountain Fund, the philanthropic initiative of the film Only the Brave, drives donations to support firefighting as well as the towns and families connected to and impacted by hotshots and their work. Donations for The Granite Mountain Fund will benefit the following organizations: Wildland Firefighter Foundation, Eric Marsh Foundation, Kevin Woyjeck Explorers Foundation, Prescott Firefighter’s Charities, California Fire Foundation and Carry The Load. The Granite Mountain Fund is partnered with the Tides Foundation, a registered 501c3 organization. 98.5% of the donations raised through the Tides Foundation will go directly to the charities the fund supports. Tides will receive a 1.5% administrative fee.Based on the true American story of the Granite Mountain Hotshots that gave their lives to protect their community, ONLY THE BRAVE is an intense tale of brotherhood, sacrifice and inspiration. ONLY THE BRAVE was shot and mastered in 4K and debuts on digital and 4K digital with HDR January 23 and on Blu-ray and DVD February 6 from Sony Pictures Home Entertainment. Certified “Fresh” on Rotten Tomatoes, the acclaimed ensemble cast includes Academy Award nominee Josh Brolin (Best Supporting Actor, Milk, 2008), Miles Teller (Whiplash), Academy Award winner Jeff Bridges (Best Actor, Crazy Heart, 2009), James Badge Dale (The Departed), with Taylor Kitsch (“Friday Night Lights”) and Academy Award winner Jennifer Connelly (Best Supporting Actress, A Beautiful Mind, 2001). The Blu-ray and DVD also include digital versions of the movie, redeemable via the all-new Movies Anywhere App.last_img read more

Merson slams Ramseys contract situation

first_imgPaul Merson lambasted his former side Arsenal for their poor handling of Aaron Ramsey’s contract situation.Arsenal are set to lose Ramsey to Juventus for nothing this summer after the Wales international agreed on a deal with the Serie A champions after his contract was allowed to run down.Merson went on to call his former club “stupid” for letting an experienced player like Ramsey leave the club in the prime of his career.“It’s stupidity from Arsenal to allow someone of Ramsey’s quality to let their contract run down,” he told Sky Sports.Jadon SanchoMerson believes Arsenal should sign Sancho Manuel R. Medina – September 14, 2019 Borussia Dortmund winger Jadon Sancho might be the perfect player to play for the Gunners, according to former England international Paul Merson.“It’s yet another player after Alexis Sanchez, Alex Oxlade-Chamberlain, Theo Walcott. Players’ contracts come to an end then they all leave on frees.“In footballing terms, it’s criminal. It’s like buying an £80m house, waiting for the leasehold to run out and losing the house.“Arsene Wenger sorted out his contract every year but seemed to forget everyone else’s!“I wouldn’t mind if all these players were 35 years of age or older, but they are in the prime of their careers when they are playing their best football ever.”last_img read more

Late San Diego based Marine honored for lifesaving act at freeway crash

first_imgLate San Diego based Marine honored for lifesaving act at freeway crash scene December 12, 2018 Categories: Local San Diego News FacebookTwitter KUSI Newsroom SAN DIEGO (KUSI) – A San Diego-based Marine Corps drill instructor, who died in a motorcycle accident four weeks ago, was honored by the military today for rescuing two women from a fiery freeway crash two months before his death.Sgt. Gary Wilson of Fairfield, Connecticut, was awarded a posthumous Navy and Marine Corps Medal during a memorial service attended by hundreds of fellow service members, friends and family members at Marine Corps Recruit Depot San Diego. His son, Ian, accepted the commendation, the highest noncombat decoration awarded for heroism by the Department of the Navy.Wilson, who died in a motorcycle accident on Interstate 15 in Temecula on Nov. 16, received the award in recognition of his lifesaving actions on state Route 163 in the Miramar area late last summer.The 33-year-old serviceman was riding his motorcycle on the northern San Diego freeway on the morning of Sept. 18 when he came upon the scene of a pileup that left one car burning. He stopped, pulled two women from the wreckage and helped get them out of harm’s way.“I was doing my job as a Marine,” Wilson said. “We’re here to serve the people. Not just during wartime, but all the time.”During the memorial service, USMC Lt. Col. David Becker, commanding officer of 3rd Recruit Training Battalion, said Wilson had  “positively affected thousands of lives.”“Former President Ronald Reagan once said that some people spend an entire lifetime wondering if they made a difference in this world,” Becker said. “Marines don’t have that problem, and Sergeant Wilson doesn’t have that problem.”The West Coast Drill Instructors Association has donated a brick displaying Wilson’s name to be added to the Drill Instructor Monument at the recruit depot near Lindbergh Field where he was stationed.“We extend our deepest condolences to the family and friends of Sergeant Wilson,” said Brig. Gen. Ryan Heritage, commanding general of MCRD San Diego. “Our thoughts and prayers are with them during this difficult period. This is truly the loss of a fine Marine, and he will be missed greatly.”Wilson enlisted in the Marine Corps in March 2010. He was assigned to the recruit depot as a drill instructor in March 2016 after service in Okinawa, Japan, and at Camp Pendleton.His personal awards include two Good Conduct Medals, three Sea Service Deployment Ribbons, a National Defense Service Medal and a Global War on Terrorism Service Medal. Posted: December 12, 2018 KUSI Newsroom, last_img read more

USPS Reports Further Losses in Q3 2016

first_imgAnother quarter, another grim earnings statement from the Postal Service. As of now, savings afforded to publishers by the removal of the exigency surcharge have not translated to an increase in shipping. While overall volume remained stable, the periodicals class dipped 3.8 percent decline in the number of pieces shipped, to 1.43 billion, mirroring recent quarterly declines. Despite “encouraging numbers,” postmaster general Megan J. Brennan cautioned that the agency’s fiscal situation remains bleak. Regardless, renewed calls for a financial life preserver, perhaps in the form of a new surcharge or rate hike, will surely draw the attention of the publishing industry. The USPS argues that it needs around $12 billion in relief in order to return to solvency. Given the scope of the agency’s losses — $5.1 billion last year, and $5.5 billion the year before — those figures are difficult to dispute. Operating revenue saw another slight increase, to $16.64 billion (up 0.7 percent over last year), but the bump wasn’t nearly enough to offset a 12.4 percent increase in operating expenses and the termination of the exigency surcharge — a 4.3 percent premium which had applied to all classes of mail before expiring in April. The loss of the surcharge is expected to hurt USPS revenues by nearly $2 billion each year, according to the agency. “Net losses continue to mount,” Brennan said in a prepared statement. “Our results in the quarter further underscore the need for legislative reform that provides the organization with greater financial stability.” It’s the 41st consecutive quarter in which less periodicals were shipped than in the corresponding period the year before, and overall volume in the periodicals class has fallen 37.8 percent from a quarterly high of 2.3 billion in the third quarter of 2006. USPS chief finanical officer Joseph Corbett blamed lackluster revenue growth in the face of mounting losses on the termination of the exigency surcharge, which he termed a “mandated price reduction” in a statement. The Postal Service itself estimates that it lost $450 million during the quarter as a result of the surcharge’s expiration, still not nearly enough to approach profitability. “They have to understand that it’s a different age,” Cregan told Folio: in April, at the time the exigency surcharge was rolled back. “They’re not the only game in town anymore, and they have to improve their customer relations and understand that we — that is, the MPA — are their customers.” The agency posted a net loss of $1.57 billion for the third quarter of its fiscal year (April 1 to June 30), more than double the $586 million loss recorded over the same period in 2015. But representatives for the publishing industry, like the MPA’s EVP of government affairs, James Cregan, argue that the Postal Service needs to retain its clients more than it needs legislative assistance.last_img read more

How Collaboration And A Little Magic Made Blood Oranges Negro Swan

first_img Email Dev Hynes reveals how he was able to creatively weave his personal stories with so many distinct voices on his new projectAna YglesiasGRAMMYs Sep 6, 2018 – 11:11 am The musician and producer Dev Hynes, best-known for his indie electro R&B project, Blood Orange, released Negro Swan on Aug. 24, his fourth LP under that moniker. Not unlike his music career, the album brings together an unexpected group of collaborators which together showcase Hynes’ creative vision and unique voice in an organic way.The third single from the album, “Saint” highlights Hynes’ masterful collaboration skills. The song features the voices of four other artists, including the indie-rock band Porches, all of which were recorded in different studios at different times. The music video, like many of his, including for “Jewelry,” was directed by the multi-talented (yet impossible to label) artist himself.Thanks to circumstances even Hynes himself may never know, with perhaps an almost magic text message, Hynes was able to get a dream collaboration on “Hope.” The track fits its title, with the one and only Puff Daddy offering hopeful spoken-word messages throughout the song.”What is it going to take for me not to be afraid to be loved the way, like, I really wanna be loved?…You give me that hope that maybe one day I’ll get over my fears and I’ll receive,” Puff says on the track.In an interview with Pitchfork, Hynes shares how the collab came together rather serendipitously. “While working on that song, I started doing fake Puff vocals, because I thought it sounded like that to me. And then I was like, ‘It’d be kind of cool if it actually was Puff.’ So I sent him a text, like, ‘I did this track, do you want to do this vocal part?’ And he replied, ‘Send it.’ He sent back his vocals, like, 20 hours later,” he shared, almost in awe himself of how it came together.The second single from the album, “Jewelry,” feels like an organic stream of consciousness with distinct parts, a distillation of the album’s themes and perhaps the artist’s life experiences as a whole. Hynes’ said that his label had been on him to get album art, but he had a gut feeling that the right image to represent the album would come from the shoot, and indeed it did. He wanted to work with Kai the Black Angel in the video, and a stunning image of him from the video shoot, wearing angel wings through the streets of New York, became the Negro Swan cover art.Clearly the artist knows when to trust his intuition and let the art flow naturally. If more evidence of this was needed, one could point to him featuring writer/director/activist Janet Mock as the narrator on the album, offering her insights on the albums themes across many of the tracks. Her voice and perspective offers a deeper cohesion to album, yet Hynes shares that her words were taken from a conversation they had one day in his studio when their paths crossed in New York; he shared his Negro Swan inspiration notebook with her and recorded her thoughts on it.While Negro Swan has recently created a lot of buzz around Hynes, and for good reason, he is no stranger to the music industry, having spent a lot of time behind-the-scenes writing and producing for a wide range of artists across genres, including GRAMMY winners Kylie Minogue, Solange, Basement Jaxx, and Chemical Brothers on “All Rights Reserved” from their GRAMMY-winning We Are The Night. There must be more than a little magic and a whole lot of creative vision behind what he makes feel almost effortlessly natural.Read more How Collaboration Made Blood Orange’s ‘Negro Swan’ how-collaboration-and-little-magic-made-blood-oranges-negro-swan Facebook Twitter How Collaboration And A Little Magic Made Blood Orange’s ‘Negro Swan’ News last_img read more

Introducing Kweb A Kotlin library for building rich web applications

first_imgKweb is a library using which you can easily build web applications in the Kotlin programming language. It basically eliminates the separation between browser and server from the programmer’s perspective. This means that events that only manipulate the DOM don’t need to do a server-roundtrip. As Kweb is written in Kotlin, users should have some familiarity with the Kotlin and Java ecosystem. Kweb allows you to keep all of the business logic in the server-side and enables the communication with the web browser through efficient websockets. To efficiently handle asynchronicity, it takes advantage of Kotlin’s powerful new coroutines mechanism. It also allows keeping consistent state across client and server by seamlessly conveying events between both. What are the features of Kweb? Makes the barrier between the web server and web browser mostly invisible to the programmer. Minimizes the server-browser chatter and browser rendering overhead. Supports integration with some powerful JavaScript libraries like Semantic, which is a UI framework designed for theming. Allows binding DOM elements in the browser directly to state on the server and automatically update them through the observer and data mapper patterns. Seamlessly integrates with Shoebox, a Kotlin library for persistent data storage that supports views and the observer pattern. Easily add to an existing project. Instantly update your web browser in response to code changes. The Kweb library is distributed via JitPack, a novel package repository for JVM and Android projects. Kweb takes advantage of the fact that in most web apps, logic occurs in the server side and the client can’t be trusted. This library is in its infancy but still works well enough to demonstrate that the approach is practical. You can read more about Kweb on its official website. Read Next Kotlin based framework, Ktor 1.0, released with features like sessions, metrics, call logging and more Kotlin 1.3 released with stable coroutines, multiplatform projects and more KotlinConf 2018: Kotlin 1.3 RC out and Kotlin/Native hits betalast_img read more

Airlines are connecting more people and places than ever before says IATA

first_img<< Previous PostNext Post >> Wednesday, July 31, 2019 Share Travelweek Group “Airlines are connecting more people and places than ever before,” says IATAcenter_img MONTREAL — Global air connectivity is more accessible than ever, says IATA, which just released performance figures for 2018.According to its report, 4.4 billion passengers flew in 2018, an increase of 6.9% over 2017, and record efficiency was achieved with 81.9% of available seats being filled. Fuel efficiency, meanwhile, improved by more than 12% compared to 2010.The world continues to shrink thanks to increased connectivity. A total of 22,000 city pairs are now connected by direct flights, up 1,300 over 2017 and double the 10,250 city pairs connected in 1998. “Airlines are connecting more people and places than ever before. The freedom to fly is more accessible than ever, and our world is a more prosperous place as a result,” said Alexandre de Juniac, IATA’s Director General and CEO. However, de Juniac notes that with any human activity, this comes with an environmental cost that airlines are committed to reducing.“We understand that sustainability is essential to our licence to spread aviation’s benefits. From 2020 we will cap net carbon emissions growth, and by 2050 we will cut our net carbon footprint to half 2005 levels,” he added. “This ambitious climate action goal needs government support. It is critical for sustainable aviation fuels, new technology and more efficient routes to deliver the greener future we are aiming for.”More news:  GLP Worldwide introduces first-ever Wellness programsHere are additional highlights of the 2018 airline industry performance:• The development of the low-cost carrier (LCC) segment continues to outpace that of network carriers. Measured in ASKs (available seat kilometres), LCC capacity grew by 13.4%, almost doubling the overall industry rate of 6.9%. LCCs accounted for 21% of global capacity in 2018, up from 11% in 2004.• Some 52 of IATA’s 290 current member airlines classify themselves as LCCs and other new model airlines.• Airlines in the Asia-Pacific region once again carried the largest number of passengers system-wide. North America airlines had 22.6% market share, or 989.4 million passengers, up 4.8% over 2017.• The top five airlines ranked by total scheduled passenger kilometres flown were: American Airlines (330.6 billion); Delta Air Lines (330 billion); United Airlines (329.6 billion); Emirates (302.3 billion); and Southwest Airlines (214.6 billion).• The top five nationalities travelling (international routes) are: United Kingdom (126.2 million, or 8.6% of all passengers); United States (111.5 million, or 7.6% of all passengers); China (97 million, or 6.6% of all passengers); Germany (94.3 million, or 6.4% of all passengers); and France (59.8 million, or 4.1% of all passengers).More news:  Windstar celebrates record-breaking bookings in July• Star Alliance maintained its position as the largest airline alliance in 2018, with 21.9% of total scheduled traffic (in RPKs), followed by SkyTeam (18.8%) and oneworld (15.4%). Posted by Tags: IATAlast_img read more